Trace the
brief history of the blues since its origins in bayou country in the deep south
of post-emancipation 1870’s and you will mind that one of the main stopping
points of the great migration for 1 of every 8 black American in the early 20th
century wound up in Chicago, Illinois. Like New Orleans, St Louis and New York
City, Chicago developed a sub-genre of the blues, most from honing the electric
guitar and harmonica.
The past weekend Chicago held the 28th annual
Chicago Blues Festival, originally created in honor of Muddy Waters (Father of
Chicago Blues) after his passing in 1983. Having been to the festival years
ago, I was happy to once again last weekend to tap into the soul of what I
teach in the occasional lesson on the origins of blues and jazz.
On the
weekend of June 8-10, 2012, Chicago seemed blitzed with a plethora of events –
MidSommerfest in Andersonville, Old Town Art Festival, Rib Fest in Ravenswood,
Printers Row Literature Fest and Blues Fest, all while hosting the Roosevelt
graduation and a Sox game. Add to that a true Midwestern summer’s day with heat
hovering around 90 and the humidity potent enough to create a waterfall of
sweat on our backs. Ally and I chuckled at the fact that each couple we saw
kiss, we knew it would be a salty one.
In the
morning, we made plans to visit with my old friend Mike and his lady,
Claudette, for brunch at Café Selmarie in his neighborhood of Lincoln Square. Café
Selmarie, aside from having balanced, thoughtful brunches and lunches, graduates
with honors on what has to be my favorite bakery case in Chicago. I guarantee
if Ally and I weren’t about to take in the afternoon at the Literature and
Blues Fests that we would have wrapped up a delicious slice of cake, cookie or
pastry – my favorite is a slice of the Black Forest Torte. Ally enjoyed a plate
of corned beef hash, the shredded bits of beef the true treat. I went for the Chilaquiles,
which was tucked into a round earthenware dish. Though tasty as the shredded
chicken mixed well with the blended chips, I felt the excess amount of queso
fresco with all the salt that was already in the dish was too much – maybe use
unsalted chips next time. The teaspoon size dollop of guacamole was far too
small for the size of the dish. Don’t let this discredit Selmarie – I haven’t
had a meal I’ve regretted there in three or four years I’ve visited that great
neighborhood of artists, thirty-somethings and enough strollers to scare even a
suburbanite soccer mom.
My visit to the
Literature Fest, tucked into the Chicago Loop neighborhood of Printer’s Row was
my third. The first time I had sauntered through the closed off blocks of south
Dearborn to visit each stall, best resembling a massive antique fair combined
with modern booksellers and author events, I was lucky enough to find a gem – a
guidebook from the 1893 World’s Fair that I still use for my classes. The
prices on that Sunday, the last day of the festival, were reduced at many
tents. Ally had to fish out a mere eight dollars for a paperback copy of Water
for Elephants and The Girl with the Dragon Tattoo, both in retail bookshelf
condition. Unfortunately I didn’t find that next novel that would catch my
attention – perhaps the heat and the hustle-bustle of the fair distracted me.
Though, the few tents dedicated to vintage posters from movies, films and
festivals since the early 20th Century are a true treat to thumb
through for one that rests at the perfect point of the wall in your home or
apartment.
Not punished
enough by the sun, Ally and I walked about five blocks east of Printer’s Row,
past our undergraduate alma-mater of Columbia College, to the Chicago Blues
Fest – did I mention both festivals are free thanks to the City of Chicago? Our
bodies were cooled by the artificial rain drops that flew from the long jet of
water at the Buckingham Fountain onto the melting crowd below.
The Chicago
Blues Fest is a better environment to be in than the pilgrimage crowds of
eaters who descend only a fair representation of Chicago’s culinary
environment. Though a half million are said to visit annually to Blues Fest, I
was happy to not develop a sudden claustrophobia. We trampled the thin rubber
of our sandal soles from stage to stage. A particularly laughable moment for us
came when we tried to dance a bluesy jig like so many others around the northern
stage, only to nearly fly in opposite directions for not being able to grip one
another thanks to sweat and sun tan lotion.
We took a
brief sabbatical from the music and son to grab two mini pulled pork sandwiches
and rib tips from the Robinson’s Ribs truck – music from southern
origins=southern style BBQ! Of the rib tips that weren’t burned to a crisp,
they were only fairly meaty. The char was far too burnt instead of brimming
with flavor from black pepper and other BBQ spices. The mild KC style tomato
based sauce mixed well with the perfect shreds of pulled pork. – hell, even the
buns tasted amazing after soaking up the sauce.
At the Bud
Light tent we taught a well-known Blues band named Lil’ Ed and the Blues
Imperials. Lil’ Ed, replete in his Shiner’s Cap and voice that’s a mix of Muddy
Waters and Willie Dixon, has been playing with his Imperials for 25 plus years.
We taught the late 40’s style blues slow rhythms of “Had to Die before I Started
Living”, the euphemism and slang packed tune “I gotta check my woman’s oil…someone’s
been placing their dipstick in there” and range of upbeat guitar driven tunes
that one doesn’t have to think hard as to see why this beautiful American
musical form inspired countless artists during the rise of Rock-n-Roll during
the 1950’s and 1960’s.
A true blues
fan would visit a traditional club. In absence of that visit, Blues Fest is
there for the masses. All of this is true irony of course, considering the
mainstream culture and society of America in early to mid-twentieth century called
blues and boogie-woogie blues (Rock n Roll) the Devil’s music. At least on some
things like the blues we can evolve to understand, appreciate and love in
culture that we can call our own, region to bluesy region.
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